Joan set herself to make McKean talk, and after a time succeeded. They had a mutual friend, a raw-boned youth she had met at Cambridge. He was engaged to McKean’s sister. His eyes lighted up when he spoke of his sister Jenny. The Little Mother, he called her. With an effort that seemed to turn her into stone, she regained command over herself.!

“We must help her,” she answered somewhat lamely. “She’s anxious to learn, I know.” Her room was always kept ready for her. Often she would lie there, watching the moonlight creep across the floor; and a curious feeling would come to her of being something wandering, incomplete. She would see as through a mist the passionate, restless child with the rebellious eyes to whom the room had once belonged; and later the strangely self-possessed girl with that impalpable veil of mystery around her who would stand with folded hands, there by the window, seeming always to be listening. And she, too, had passed away. The tears would come into her eyes, and she would stretch out yearning arms towards their shadowy forms. But they would only turn upon her eyes that saw not, and would fade away.

“Yes,” answered Joan. “He was a landscape painter, wasn’t he?” “I shall try to win you over, I warn you,” he said. “Politics will never reform the world. They appeal only to men’s passions and hatreds. They divide us. It is Art that is going to civilize mankind; broaden his sympathies. Art speaks to him the common language of his loves, his dreams, reveals to him the universal kinship.” “Some men,” he answered. “Artists and poets. They have the woman within them. Men like myself—the mere fighter: we are incomplete in ourselves. Male and female created He them. We are lost without our mate.”